Click to play
I
started
to
see
the
cracks
around
late…
you
know
around
89
I
just
started
to
see
the
cracks.
It
was
like,
you
know…
I
was
going
out
and
didn’t
recognise
everybody
that
was
you
know…
like
there’d
be
you
know
there’d
be
people
coming
over
from
like
say
from
Leeds
or
Huddersfield
or
wherever
but
you
recognised
them
and
you…
you
didn’t
necessarily
go
and
hang
out with them.
It
was
the same
in the
Hacienda…
just
because
you
know..
the
Happy
Monday’s
and
all
their
crowd
was
stood
right
next
to
us.
We
weren’t
going
shaking
their
hands
because
they
weren’t
part
of
our
crowd
but
there
was
like
just
an
acknowledgement
between
people
you
kind
of
just
knew
who
the
faces
were
and
you
knew
who
the
faces
were
in
the
scene.
D’ya
know,
what
I
mean?
And
there
was
a
student
element
in
the
Hacienda
and
at
the
same
time
as
there
was
a
kind
of
a
football
hooligan
element
in
the
Hacienda
but
it
was…
it
was
that
kind
of
melting
pot
that
made
it
what
it
was…
and
all
you
ever
kind
of…
you
know…
I
don’t
want
to
dwell
on
the
negatives.
Cos’
there’s
a
lot
of
good
people
from
Manchester
who
were
involved
in
them
parties
and
there
was…
in
the…
you
know
…
in
the
same
way
as
a
lot
of
good
people
from
Manchester
went
to
the
Hacienda.
But
all
you’ll
ever
hear
about
is
that
you
know…
when
it
all
kind
of
went
off
the
boil…
where…
I’d
prefer
to
sort
of
just
think
about…
I
just
had
one
of
the
best
years
of
my
life
in
1988-89
at
what
was
one
of
the
most
confusing
times
of
my
life.
You
know…
because
I
kind
of
wouldn’t
fancy
being
a
teenager
again.
I
found
it
really
kind
of
tough
time
really…
being
a
teenager
trying
to
figure…
figure
out
who
you
are
and
figure
out
your
identity.
But
that
year
it
just
kind
of…
you
know…
it
just
gave
me
faith
in
humanity
which
might
sound a
really
over-the-top
statement…
but
it
did.
It
gave
me
faith
in
humanity.
It
made
me
realise
that
even
in
supposedly
bad
people
there’s
good.
You
know
what I
mean
and,,,
and
then
I
guess
in
the
same
way
in
good
people
there’s
bad
you
know
It’s
like…
it
was…
it
was
just
a…
it
was
just
something
that
you
know…
it’s
very
very
difficult
to
verbalise
and
explain
unless
you
were
there.
You
just…
you
know
I
would
go
out
on
a
Wednesday
and
that’d
be it
for
me.
I’d
be
out
until
Sunday.
I’d
be
out
until
Sunday
and
when
you
know…
I
remember…
you
know
people
would
be
kind
of
getting
off
at
0.4166666666666667
on
a
Sunday
morning
when
the
sun
had
come
up
and
i’d
be
going..
C’mon
…
What
are
you
doing?
Where
are
you
going?
Stay!
Stay!
And
you
know..
and I
went
to…
I
went…
the
other
thing
i’d
say
as
well…
I
went
to
party..
a
couple
of
parties
in
London.
So
I
went
to
the
big..
I went
to
Energy
I
went to
one
of
the
early
Energy
parties…
which
was
in
the
film
studios
in
Shepherds
Bush
and
I
went
to
the
big
Sunrise
party
that
was
in
the
airplane
hangar.
That
was
on
the
front
page
of
the
Sun
and
you
know…
it
was
interesting
that…
the
cultural
differences
between
Acid
House
in
London
versus
Acid
House
in
Blackburn.
In
Blackburn
it
was…
it
had
a
much
more
DIY
ethic
about
it.
You
know
and
for
me
the
whole
casual
scally
thing
was
always
subversive…
you
know…
when
we
were
wearing
designer
clothes
in
the
early
and
mid
80s
you
know
those
clothes
were
not
aimed
at
kids
like
us.
Giorgio.
Armani
was
not
aiming
to
dress
snotty
kids
off
council
estates
and
out
of
terrace
style
houses
dy’a
know what
I mean?
It
was…
it
was
kind
of…
these
things
that
we
were
wearing
were
objects
of
aspiration
but
it
was
almost
like
they
weren’t
meant
for
us.
So
it’s
like
well…
they’re
not
for
us.
Well
we’ll
find
a
way
to
get
them
and
you
know…
and
so
Blackburn
had
a
whole
subculture
which
had
kind
of
come
from
a
generation
before
me
of
kids
going
abroad.
And
so
that
well…
you
know…
we’ll
find
a
way
to
acquire
these
these
things
and…
and
it
was
you
know…
it
wasn’t…
you
know…
it
wasn’t
because
they
were
trying
to
appear
like
they’re
kind
of
at
a
yacht
on
the
French
Riviera.
It
was
kind
of…
it
was
almost
like
saying
we’re
not
supposed
to
wear
this
but
we’re
taking
it
anyway..
you
know…
and…
and
so
that’s
sort of
subversive
mentality
it’s
like
there
was
a…
there
was
a
shift
in
that
when
Acid
House
started
because
it
was
you
know
Acid
House
was
as
subversive
as
it
gets…
you
know
speaking
to
some
of
the
lads
who
were
older
than
me
who
were
around
for
Punk.
Rock.
They’re
like…
this
is
the
best
thing
since
Punk.
This
is
better
than
Punk
you
know.
Full Transcript:
I
started
to
see
the
cracks
around
late…
you
know
around
89
I
just
started
to
see
the
cracks.
It
was
like,
you
know…
I
was
going
out
and
didn’t
recognise
everybody
that
was
you
know…
like
there’d
be
you
know
there’d
be
people
coming
over
from
like
say
from
Leeds
or
Huddersfield
or
wherever
but
you
recognised
them
and
you…
you
didn’t
necessarily
go
and
hang
out with them.
It
was
the same
in the
Hacienda…
just
because
you
know..
the
Happy
Monday’s
and
all
their
crowd
was
stood
right
next
to
us.
We
weren’t
going
shaking
their
hands
because
they
weren’t
part
of
our
crowd
but
there
was
like
just
an
acknowledgement
between
people
you
kind
of
just
knew
who
the
faces
were
and
you
knew
who
the
faces
were
in
the
scene.
D’ya
know,
what
I
mean?
And
there
was
a
student
element
in
the
Hacienda
and
at
the
same
time
as
there
was
a
kind
of
a
football
hooligan
element
in
the
Hacienda
but
it
was…
it
was
that
kind
of
melting
pot
that
made
it
what
it
was…
and
all
you
ever
kind
of…
you
know…
I
don’t
want
to
dwell
on
the
negatives.
Cos’
there’s
a
lot
of
good
people
from
Manchester
who
were
involved
in
them
parties
and
there
was…
in
the…
you
know
…
in
the
same
way
as
a
lot
of
good
people
from
Manchester
went
to
the
Hacienda.
But
all
you’ll
ever
hear
about
is
that
you
know…
when
it
all
kind
of
went
off
the
boil…
where…
I’d
prefer
to
sort
of
just
think
about…
I
just
had
one
of
the
best
years
of
my
life
in
1988-89
at
what
was
one
of
the
most
confusing
times
of
my
life.
You
know…
because
I
kind
of
wouldn’t
fancy
being
a
teenager
again.
I
found
it
really
kind
of
tough
time
really…
being
a
teenager
trying
to
figure…
figure
out
who
you
are
and
figure
out
your
identity.
But
that
year
it
just
kind
of…
you
know…
it
just
gave
me
faith
in
humanity
which
might
sound a
really
over-the-top
statement…
but
it
did.
It
gave
me
faith
in
humanity.
It
made
me
realise
that
even
in
supposedly
bad
people
there’s
good.
You
know
what I
mean
and,,,
and
then
I
guess
in
the
same
way
in
good
people
there’s
bad
you
know
It’s
like…
it
was…
it
was
just
a…
it
was
just
something
that
you
know…
it’s
very
very
difficult
to
verbalise
and
explain
unless
you
were
there.
You
just…
you
know
I
would
go
out
on
a
Wednesday
and
that’d
be it
for
me.
I’d
be
out
until
Sunday.
I’d
be
out
until
Sunday
and
when
you
know…
I
remember…
you
know
people
would
be
kind
of
getting
off
at
0.4166666666666667
on
a
Sunday
morning
when
the
sun
had
come
up
and
i’d
be
going..
C’mon
…
What
are
you
doing?
Where
are
you
going?
Stay!
Stay!
And
you
know..
and I
went
to…
I
went…
the
other
thing
i’d
say
as
well…
I
went
to
party..
a
couple
of
parties
in
London.
So
I
went
to
the
big..
I went
to
Energy
I
went to
one
of
the
early
Energy
parties…
which
was
in
the
film
studios
in
Shepherds
Bush
and
I
went
to
the
big
Sunrise
party
that
was
in
the
airplane
hangar.
That
was
on
the
front
page
of
the
Sun
and
you
know…
it
was
interesting
that…
the
cultural
differences
between
Acid
House
in
London
versus
Acid
House
in
Blackburn.
In
Blackburn
it
was…
it
had
a
much
more
DIY
ethic
about
it.
You
know
and
for
me
the
whole
casual
scally
thing
was
always
subversive…
you
know…
when
we
were
wearing
designer
clothes
in
the
early
and
mid
80s
you
know
those
clothes
were
not
aimed
at
kids
like
us.
Giorgio.
Armani
was
not
aiming
to
dress
snotty
kids
off
council
estates
and
out
of
terrace
style
houses
dy’a
know what
I mean?
It
was…
it
was
kind
of…
these
things
that
we
were
wearing
were
objects
of
aspiration
but
it
was
almost
like
they
weren’t
meant
for
us.
So
it’s
like
well…
they’re
not
for
us.
Well
we’ll
find
a
way
to
get
them
and
you
know…
and
so
Blackburn
had
a
whole
subculture
which
had
kind
of
come
from
a
generation
before
me
of
kids
going
abroad.
And
so
that
well…
you
know…
we’ll
find
a
way
to
acquire
these
these
things
and…
and
it
was
you
know…
it
wasn’t…
you
know…
it
wasn’t
because
they
were
trying
to
appear
like
they’re
kind
of
at
a
yacht
on
the
French
Riviera.
It
was
kind
of…
it
was
almost
like
saying
we’re
not
supposed
to
wear
this
but
we’re
taking
it
anyway..
you
know…
and…
and
so
that’s
sort of
subversive
mentality
it’s
like
there
was
a…
there
was
a
shift
in
that
when
Acid
House
started
because
it
was
you
know
Acid
House
was
as
subversive
as
it
gets…
you
know
speaking
to
some
of
the
lads
who
were
older
than
me
who
were
around
for
Punk.
Rock.
They’re
like…
this
is
the
best
thing
since
Punk.
This
is
better
than
Punk
you
know.