Click to play
In
the
future
like
our
Mitchell
and
Kenyon
archive,
there’s
going
to
be
a
kid
listening
to
all
these
stories
in
hundred
years.
They’re
not
going
to
be
able
to
maybe
imagine
what
it
was
without
these
stories.
If
you
could
say
one
thing
to
a
kid
about
Blackburn
at
that
time
or
a
researcher
or
a
police
or
anyone
what
would
you
say
to
them?
At
that
time…it
It
was
not
just
Blackburn,
Blackburn
Burnley
Accrington
the
scene
itself,
which
created
was
as
cutting
edge
as…
as
anything
the
UK
has
ever
seen
so
much
so…
that
on
a
Sunday
night
in
1990
Pete
Waterman
came
to
Accrington
because…
the Sunday
night
was
the
night
and
in
Accrington
it was when
all
the
Blackburn
DJ’s
like myself…
Gilly
we
all
used
to
play
in
different
bars
in
Accrington
and
so
everybody
came
down,
you
know,
they’ve
been
out
partying
on a
Saturday
night
and
Pete
Waterman
actually
came
down
from
London
to
Accrington
and
said,
this
is
more
cutting
edge
than
Soho
in
London
at
the
time
in
Accrington
the
people
so
cool.
and
you
know
the
way
they
were
dressed…
what
they
were
dancing
to
and
everything
else.
That’s
what
it
was
and
it’s
being
a part
of
that
and
always
having
a
sense
of
always
looking
back
and
knowing
that
you
were
part
of
that
you
were
in
it
and
you
can
never
he explained.
We
just
talked
to
a
girl
in
there
about
the
Madchester
scene
and
the
M25
orbital
raves
and
everything
else.
They
were
all
after the
Blackburn
raves
the
Blackburn
raves
started
that’s
where
it
that’s
where
it
started
from.
You
know,
that’s
A
Guy
Called
Gerald
Voodoo
Ray
that
track
would
never
have
been
not
as
big
as
it
was
if
it
weren’t
for
the
Blackburn
raves
they
say
it
were all
Madchester
but
it
weren’t
it were
played in
Blackburn
it were
played in
Manhattan’s
it
were
played,
you
know
in
Darwen
and
places
like
that
before
hand.
Full Transcript:
In
the
future
like
our
Mitchell
and
Kenyon
archive,
there’s
going
to
be
a
kid
listening
to
all
these
stories
in
hundred
years.
They’re
not
going
to
be
able
to
maybe
imagine
what
it
was
without
these
stories.
If
you
could
say
one
thing
to
a
kid
about
Blackburn
at
that
time
or
a
researcher
or
a
police
or
anyone
what
would
you
say
to
them?
At
that
time…it
It
was
not
just
Blackburn,
Blackburn
Burnley
Accrington
the
scene
itself,
which
created
was
as
cutting
edge
as…
as
anything
the
UK
has
ever
seen
so
much
so…
that
on
a
Sunday
night
in
1990
Pete
Waterman
came
to
Accrington
because…
the Sunday
night
was
the
night
and
in
Accrington
it was when
all
the
Blackburn
DJ’s
like myself…
Gilly
we
all
used
to
play
in
different
bars
in
Accrington
and
so
everybody
came
down,
you
know,
they’ve
been
out
partying
on a
Saturday
night
and
Pete
Waterman
actually
came
down
from
London
to
Accrington
and
said,
this
is
more
cutting
edge
than
Soho
in
London
at
the
time
in
Accrington
the
people
so
cool.
and
you
know
the
way
they
were
dressed…
what
they
were
dancing
to
and
everything
else.
That’s
what
it
was
and
it’s
being
a part
of
that
and
always
having
a
sense
of
always
looking
back
and
knowing
that
you
were
part
of
that
you
were
in
it
and
you
can
never
he explained.
We
just
talked
to
a
girl
in
there
about
the
Madchester
scene
and
the
M25
orbital
raves
and
everything
else.
They
were
all
after the
Blackburn
raves
the
Blackburn
raves
started
that’s
where
it
that’s
where
it
started
from.
You
know,
that’s
A
Guy
Called
Gerald
Voodoo
Ray
that
track
would
never
have
been
not
as
big
as
it
was
if
it
weren’t
for
the
Blackburn
raves
they
say
it
were all
Madchester
but
it
weren’t
it were
played in
Blackburn
it were
played in
Manhattan’s
it
were
played,
you
know
in
Darwen
and
places
like
that
before
hand.